Theres some great prints for sale over at Print Process. This made me laugh.

The idea is simple: I invite a group of writers, educators, type makers and type users to look back at 2011 and pick the release that excited them most. The reviews range from the academic (like Paul van der Laan on Zizou or Jens Kutilek on FB Alix) to the theoretical (such as Jan Middendorp on Agile) to the personal (like Carolina de Bartolo who reviewed Calibre and Periódicoafter firsthand experience with a redesign of WIRED magazine) to the playfully unexpected (Microsoft’s Si Daniels praises Apple Color Emoji) to the exclamatory (Matthew Butterick on Neue Haas Grotesk). Here.

Taking its roots from the humble traditional British café or tearoom, Take Away explores the development, regeneration and consequent replacement of traditional aspects of British Culture and street food.

As foods and tastes have changed these venues have now almost entirely been replaced by multinational companies with generic branding. Whereas mods, rockers, teddy boys and even punks might once have felt fashionably at home in Britain’s traditional ‘caff’, today’s young Britons are more likely to be found in outlets that retain the same appearance, regardless of location. More.

Color-matching game via Method

Posters for Oscar nominated movies that maybe tell the truth of each movie a bit more than the conventional posters. For instance, Iron Lady becomes Total Bitch, Tree of Life becomes Wuh?, and The Girl with the Dragon Tattoo becomes All the Rape, No Subtitles. Via Kottke.